being selected ambient works composed and recorded from waldorf blofeld digital wavetable synthesizer. attempting to push the boundaries of a single patch on this machine. utilizing all three voices and creative logic routing in the modulation matrix. (thanking Mark Pigott for innovation in this respect;
www.youtube.com/watch?v=5j80H6LU9bM&list=PLkHsWPXlhmZ8jJGq_x1w2DYJyEdwv44bN.) reflecting practically a seasonal period of depression littered with anxieties, dreams, and errant aspirations. resulting theoretically from fascination with bass patching and bass textures tempered by loathing for the limited service to which electronic music puts bass patches. issuing finally in "bassambience," ambient music sounding like bass patches stretched out of time and into space. hoping you enjoy.
track the first being "mmhm," instantiating fragile moments of extra-curricular attention lost irretrievably in the midst of mundane conversation. cheating somewhat by using SP-202 sampler.
track the second being "pigscape," being an alien planet discovered using the tortograph. charting the movements of local, ambulating populace.
track the third being "angular misery," the rigorous examination and analysis of crystalized woe rendered in a 3d object pursuant to our clinical sublimation. assuming a priori your interest in our therapy.
track the fourth being two tracks: "establish," meandering through a chord progression; and "casino planet," rather rollicking through a chord progression. recovering shreds of imagination fizzing loose from the threshold of consciousness.
attempting throughout to approximate the phenomenon "meaning."
released January 15, 2019